Mouvances Chapitre 3
Et puis il fut ce qu’il fut. Et parfois même la couleur fait des voyages.
Landscape
Between the Betweens
Sometimes, just sometimes, the photographers work is to see the gaps and absences rather than the stuff cluttering the langscape. The sticky feeling of nothing.
Monter – Traverser (la surface)
Au retour du delà on passe par ici. Si jamais il y avait une raison pour la faculté de se souvenir.
Studio work
At the studio today, hard to believe that this is actually part of my job. I always feel like I am playing hooky or something when I come get some work done. Today, I am finalizing some work for a small showing of work around an upcoming talk by Gwynne Dyer from his book “Climate Wars“.
The work was chosen because of my tendency to photograph landscapes under reclamation. Reclamation landscapes is the term used by several landscape photographers who are interested in how the land eventually consumes and erases human passage. As usual, my contrarian manner of looking at things makes me turn this question into something else. For me it is more about our inability to see past a few dozen years into the future and think that if it exists after I am dead than it has existed long enough. We are such shortsighted animals.
The Clock of the Long Now is an interesting experiment in altering perceptions about duration (I tend to use duration instead of time, according to Henri Bergson it is a more accurate description of how we use the word). http://www.longnow.org/ Instead of writing 2009 we shoudl write 02009, that little zero will remind us of how recent of an apparition we are and of how short an influence we will exert on the planet. Chances are we will cause a whole bunch of harm, but in the scheme of things the planet will live on.
Still thinking of the title, images should be viewed in a horizontal line about 12 cm from each other.
